originally published in Swedish 2007
#3 in the Erik Winter series
English translation by Laurie Thompson
Source: I bought it.
The autumn gloom comes quickly on the Swedish city of Gothenburg, and for Detective Inspector Erik Winter the days seem even shorter, the nights bleaker, when he is faced with two seemingly unrelated sets of perplexing crimes. The investigation of a series of assaults and a string of child abductions take Winter to "the flats," the barren prairies of rural Sweden whose wastelands conceal crimes as sinister as the land itself. Winter must deduce the labyrinthine connections between the cases before it is too late and his own family comes into danger.
- They never worked on one isolated case at a time. That might have been the situation in the best of all worlds, but that wasn't where they were living. In the best of all worlds they wouldn't have existed at all as a profession. In the best of all worlds there was no such thing as CID detectives, no uniformed police officers. Law and order took care of itself. Everybody lived in a land of milk and honey.
Christmas is approaching, and the various members of DCI Erik Winter's team have their own personal problems, one recovering from recent bereavement, one a wife leaves home unexpectedly, and Winter's own family wants to visit his mother on Costa del Sol. As Christmas gets closer the pressure rises, and in neither investigation are there any reliable witnesses, although the reader sees some of the abduction thread through the eyes of the abductor.
- 'This is the country we have built, the new Jerusalem,' said Winter.
I'm not sure however that I found the final tying off of the threads particularly credible.
It also seemed to me that Edwardson used the idea that police investigators are routinely, because of economic pressures, required to deal with more than one case at once, as a justification for writing a complex novel in which the same team was required to handle two "serial" threads. I suspect also that it provided for him, as the author, a technically difficult writing challenge - or am I just being a little too cynical?
My rating: 4.4
I'll be counting FROZEN TRACKS as a title in the Nordic Challenge 2011 and also for the letter F in Crime Fiction Alphabet.
Another review to check: Fiona Walker on EuroCrime